Yiannis doesn’t have much going for him, save for his adorable dog, Jimi, and his fast-approaching date to get out of Cyprus for good. But when Jimi wanders across the U.N. buffer zone and into the section of the island Turkey seized more than forty years ago, an unregulated state unrecognized by the rest of the world, Yiannis learns, bringing a dog back over the border is not as easy as walking straight home. He enlists a mismatched band of accomplices from every side of the Cyprus dispute to find a way to get Jimi back, while never leaving the land he calls home.　　Writer and director Marios Piperides has been producing films in Cyprus for more than a decade, and his inside knowledge pays dividends in this narrative feature debut—a whip-smart comedy on legality, disputed nationality, and the frameworks that are erected to maintain a fragile peace. He demonstrates his compassion for locals on both sides of the divide, as he tenderly captures their struggle to find hope and make a living in a divided land. Such serious themes pair perfectly with Piperides’s sense of humor As Yiannis’s efforts dip farther into absurdity, they offer a send-up of the forces that prolong a conflict that has been poorly understood and largely forgotten by the outside world.

双警探被迫重启六年前未结悬案，在史前人类洞穴的献祭仪式与现代财阀的石油黑幕间，与重出江湖的连环杀手展开「文明进化论」式生死博弈——当少女尸骸上的尼安德特人齿痕，指向一场跨越万年的道德崩坏

从ISIS侦询中倖存的两名海军陆战队员返家，克里斯一个努力回归正常生活，贝尔又回到了多年前熟悉的混合武术世界，寻找值得为之生存的战斗。

由Fernando Solanas监制并任摄影和剪辑，找来自己当年的老搭挡Octavio Getino和一群“解放电影小组”的成员，个个都是阿根廷新浪潮里的革命派人物，拍摄了这部长达210分钟共12章节的黑白纪录片，真实记录下1969年5月29日阿根廷人民走上科尔多巴市的街头反抗翁加尼亚（Ongania）军事专政的场景，阿根廷反抗独裁争取自由之路由此开始。“解放电影小组”（Grupo Cine Liberación）由Solanas和Octavio Getino、Gerardo Vallejo三人组建，吸收了一批当时优秀的新浪潮导演，以拍摄纪录片为主，虽然其成员各自的政治信仰不尽相同，有些信仰马克思主义，有些则推崇贝隆主义，但对独裁专治的共同憎恶使他们走到了一起。而“解放电影小组”也与阿根廷左翼先锋导演Raymundo Gleyzer的“Cine de la base”、古巴ICAIC的革命电影、巴西新浪潮、及玻利维亚的Jorge Sanjines共同奠定了拉美第三世界电影运动的基础。本片是继《燃火的时刻》后拉美影史上又一部重要的政治纪录片，在71年柏林电影节上全体创作人员共同获得了FIPRESCI奖。