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绿叶私语
802Follows Callie, whose best friend is a potted plant named Mabel. -
鬼财致富
488安托是一个收入微薄的食品摊贩,为了娶到女友,被女方家里逼要一笔他不可能赚到的巨额礼金。绝望之余,他和他的两个穷朋友一起从祖父那里继承的古老咒语书中找到了一条赚钱捷径——乌鸦沙爹仪式。出乎意料的是,这个仪式带来了络绎不绝的阴间顾客。生活好转,债务还清,安托重拾信心向女友求婚。然而,随着时间的推移,这些阴间生物变得越来越贪婪,利润丰厚的鬼生意变成了可怕的噩梦 -
州际战争
653Two soldiers from opposing sides of the American Civil War must cooperate in order to survive being stranded in the Arizona Desert. -
赏尸杀手
641In a decaying America, 20 years after an apocalyptic event, Pike leads Ruby, Slim, Scar, and Boots through the wasteland towards the town of Jawbone in hopes of finding shelter, and to confront the evil Magistrate. But will they make it to Jawbone? And what will they find when they get there? -
风车路的圣诞节
278Mia Miejer 预计她的 Mimi, Ann 将与她屡获殊荣的 Kerststol 一起赢得圣诞市场节荷兰烘焙比赛,但她的 Mimi 有一个很难分享的消息。 -
高腰裙谁不爱
774Follow a group of teens who overcome societal bias and through inclusive fashion design and friendship. -
月亮
25来自维也纳的前职业自由搏击运动员莎拉接受了中东一个富裕家庭的私人教练工作。她发现自己置身于一个陌生的世界,在一座墙后的宫殿里,与互联网隔绝。而莎拉负责教授的这些女生们被全天候监视着,她们对学习拳击没有兴趣。那为什么把莎拉带到这里来? -
星球大战2:帝国反击战
2985维德勋爵(大卫普劳斯 David Prowse 饰)把抵抗力量赶出基地,并派出数以千计的探针寻找卢克天行者(马克哈米尔 Mark Hamill 饰)。抵抗力量埋伏到冰天雪地的哈斯星,卢克在一次巡逻任务中意外被雪人所俘,运用“原力”逃生后晕厥中听到欧比-旺肯诺比(亚历克吉尼斯 Alec Guinness 饰)要他前往狄克星寻找绝地武士尤达师傅受训。银河帝国派出大军进攻哈斯星,韩索罗(哈里森福特饰)携猿人丘巴卡(彼得梅林 Peter Mayhew 饰)带莉亚公主(卡里费什尔 Carrie Fisher 饰)和机器人C-3PO乘千年隼飞船逃生,到达韩索罗的旧识总督蓝多卡瑞辛(比利迪威廉姆斯 Billy Dee Williams 饰)的贝斯平云城暂时歇脚,却发现蓝多早与维德勋爵达成协议,出卖韩索罗设计陷阱诱惑卢克前来。学业未成的卢克不顾尤达的劝阻执意孤身付险,一场恶战在所难免。本片获第53界奥斯卡最佳声效奖及视觉效果特殊贡献奖,并获最佳艺术指导-布景及最佳原创电影音乐两项提名。 -
诱饵2019
2075康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式,但如今富有的伦敦游客纷纷下山,取代了当地人,当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫,因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅,现在看来,最后一场战斗是和新主人在海边的停车位上展开。然而,情况很快就失控了,而不仅仅是因为车轮夹钳。 Bait是一种黑白,手工制作,16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而,最重要的是,在影像中不同层次的电影历史参考文献之下,当前许多政治关联正在等待被发现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.