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诱惑我小妈
21115岁的奥斯卡(艾伦史丹佛饰)既早熟又善体人意,他说流利法文、还勤读伏尔泰,所有同年纪的女生都哈他,不过,他却偏偏只中意“老女人”。这个假期,他即将跨出他“转大人”的第一步,诱惑他心爱的女人上勾,而这对象不是别人,正是他的小妈---伊芙(雪歌妮薇佛饰)。然而,天不从人愿,奥斯卡还没钓到伊芙却先煞到一群高龄欲女,伊芙的姊妹淘黛安。 15岁的Oscar,聪明好学。他不满同龄女孩的浅薄,爱上了成熟又有学问的女性——他的继母Eve,而他的教授父亲对此一无所知。他想在感恩节之夜对继母表白,却又难以开口,醉醺醺地跟继母的密友Diane上了床,失了童贞。父亲慈爱的关心、Diane的纠缠和Oscar对继母的纯真爱情,构成了本片的喜剧元素。情节有些荒唐,但正象电影中Diane对Eve所说的:你还记得我们15岁的时候是如何梦想的吗? -
高卢英雄大战维京海盗
958故事发生在罗马帝国崛起的时期,彼时,大西洋沿岸已经尽数被强悍的罗马军队占领,只剩下一个小小的高卢村庄还在顽强的抵抗着侵略。阿斯克(何热·卡尔 Roger Carel 配音)和欧贝里克斯(Jacques Frantz 配音)是居住在此的两个名不见经传的小人物,而他们即将要完成一个伟大的任务,那就是拯救被敌方绑架的古巨立克斯(洛兰特·道驰 Lorànt Deutsch 配音)。 古巨立克斯虽然身为高卢首领的侄子,却是个胆小懦弱至极的人,然而,在古老的传说中,这样的人将会被赋予飞行的能力,这也就意味着,古巨立克斯成为了拯救村庄和村民们的唯一希望。在此过程中,古巨立克斯结识了美丽温柔的艾巴(莎拉·弗里斯蒂 Sara Forestier 配音),坠入了爱河。 -
爱妻
336萨兰(吉拉宇·唐思苏克 James Jirayu Tangsrisuk 饰)是含着金汤匙出生的富家少爷,在还是孩子的时候,萨兰就和名为巴拉里(Dao Pimthong Washirakom 饰)的女子订了亲,然而天有不测风云,萨兰家道中落,等到能够成家的年龄时,萨兰的家境早已经不复从前,而巴拉里的家人自然也不再愿意将女儿嫁给他。 玲(Bella Ranee 饰)是巴拉里没有血缘关系的义妹,家中被收养的孩子,心地善良而又单纯的她,愿意代替巴拉里嫁给萨兰,就这样,玲成为了这个素未谋面的男人的新娘。与此同时,萨兰的女友多萨瓦(Mint N 饰)残忍的抛弃了萨兰,让萨兰对爱情失去了希望,玲的出现打破了萨兰内心的枷锁。 -
刺杀林肯
2208上帝和魔鬼梅菲斯特(爱米尔·强宁斯 Emil Jannings 饰)以浮士德的灵魂为赌注打赌,梅菲斯特坚称饱读诗书满腹经纶的大学士浮士德(格斯塔·埃克曼 Gösta Ekman 饰)会在欲望的引诱之下日渐堕落,而上帝则相信浮士德的理性终究会打败欲望。梅菲斯特化身成为一条黑狗来到了浮士德的身边,并且成为了随时随地满足他任何愿望的仆人。在梅菲斯特的带领下,浮士德返老还童成为了神采奕奕的青年,并且邂逅了单纯善良的玛格丽特(卡米拉·霍恩 Camilla Horn 饰),在梅菲斯特的作弄之下,玛格丽特坠入了爱河,却在意外之中误杀了自己的母亲,她的哥哥亦死在了浮士德的手中。绝望的玛格丽特最终因为杀死了自己的孩子而被关入了监狱之中,而浮士德的旅途却并未走到尽头。 ©豆瓣 -
没有和解
541The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands. -
寂寞的季节
265泰国青年导演Dan第二部电影作品不论我们身处何种心境,下雨的时候,这种心情就被放大...幸福的时候更幸福,寂寞的时候更寂寞,郁闷的时候就更郁闷。雨和爱情一样,随时可以到来,也随时可以离开。下雨的时候,有人思春;有人在屋里呆不住,要出去找事;有人怕冷去找温暖;也有人不在乎:雨会下,就会停。第一滴雨落下的时候,你最先感觉到的什么。 -
毒从口入:食物的丑陋真相
1157Foodborne pathogens kill around 3,000 people in the U.S. every year and hospitalize hundreds of thousands more. Romaine lettuce, cantaloupe, sprouts . . . all have been at the center of outbreaks which have become alarmingly frequent in recent years. Their solutions are simple, but protections are scattershot, with little bureaucratic will to enforce them. And yet, our politici... -
家庭合影
767Set at the start of Covid, Family Portrait follows a family on an idle but hectic morning when they have planned a group picture. When the mother vanishes and one daughter becomes desperate to find her and gather her sprawling family, the film progressively descends into a realm where time and space lose their grip, transforming the family portrait into a solemn and enigmatic r... -
死亡不是终点
338Following the tragic death of his wife, Jon struggles with feelings of guilt when he starts an affair with the enigmatic Red. As he comes closer and closer to Red in a psychologically probing and mutually abusive relationship, Jon begins to question what exactly happened the night his wife killed herself. With the Stutter, a haunting echo seemingly everywhere around him blurrin...