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莫斯科郊外的晚上
97影片"Катя Измайлова"改编自列斯科夫的随笔《姆岭克斯县的马克白夫人》。 女作家的儿媳妇卡佳和作家别墅的帮工谢尔盖一见钟情。30岁的卡佳在谢尔盖身上找到了从未有过的激情,受情欲支配的她只要有机会就要和谢尔盖做爱。卡佳对工作的懈怠引起了婆婆的不满。卡佳为了扫清她和谢尔盖今后生活的障碍,婆婆生病时故意拖延时间使之丧命,然后和谢尔盖一起将自己的丈夫杀害掩埋。卡佳以为从此她就可以开始过幸福的生活了。但谢尔盖早有女友,他对卡佳也是另有图谋。得知真相的卡佳约谢尔盖和其女友一起进城,半途中,卡佳谎称汽车抛锚要谢尔盖修车,等谢尔盖下车后,卡佳发动汽车,将自己和谢尔盖的女友一同坠入河中摔死。 导演瓦·托多罗夫斯基是俄罗斯新生代导演中的佼佼者。或许出生于电影世家(其父是著名导演,曾执导电影《国际女郎》,其母是编剧及制片人)让他对镜头有一种天然的敏锐。新颖的视... -
鬼面具:伤痕
873Miyu went to Seoul, Korea to study and look for her older sister who went missing two years ago. One day Miyu got to know Hana who was a famous plastic surgeon and she reminded of her missing sister. Hana lives with her lover Hyoshin, but she got attracted by Miyu. And Nyoshin felt jealous of Miyu. Miyu thought that Hana is actually her older sister and asked her to tell the truth. Hyoshin saw two of them talking and killed Hana because of jealous. Hyoshin tried to kill Miyu next and Miyu realized Hyoshin is her sister who had plastic surgery and changed her face. Finally Hana stuck a knife into herself because she knew Miyu always values her sister. Miyu survived, but lost her precious sister. -
莫斯科不眠夜
717阿诺德施瓦辛格(瓦莱里)是一个著名笑星,然而身患重病的他已时日无多。嗜酒的瓦莱里在不喜欢医院的拘束和病房外记者的关注,他一个人溜出医院找酒喝。瓦莱里喝酒时被几个小混混发现,他们捉弄他,拍下照片,并把他带到奶奶家开派对,忍无可忍的瓦莱里和他们发生冲突,但又和他们重归于好。瓦莱里的儿子伊利亚一直对前妻卡佳旧情不忘,而卡佳已和富商安东走到了一起。安东因生意不顺要前往纽约,伊利亚希望卡佳能留下来,一番纠结后卡佳决定和安东前往纽约。 -
被遗忘的祖先的阴影
968影片改编自柯秋宾斯基的同名抒情小说。导演把情节拆散为“伊凡和玛丽奇卡”、“波洛尼纳”、“孤独”、“伊凡和巴拉格娜”、“日常生活”、“圣诞”、“春在明天”、“雷雨”、“小酒店”、“伊凡之死”、“虔诚的仪式”等11个单元,讲述了主人公伊凡两阙刻骨铭心的爱情悲歌:先是女主人公玛丽奇卡在寻找伊凡的途中不幸坠河而死,后有另一位女主人公巴拉格娜背叛伊凡,故事最后以伊凡死于情敌手下而结束。 本片是典型的诗电影,以独特的风格展现了民族探索生存道路的景象,窥探了民族内在意识的活动和变化。影片以出神入化的方式混合细腻的纪录场面和巴洛克华丽的视觉效果。透过主角情感的引导,漩涡式的叙事方式,穿梭于奇幻真实之间。摄影机像是着魔似地,将观众带进他们神秘的梦境。影片上映后曾遭禁演,但在压力下,随即解禁。 -
漫长的告别1971
815It is a great film by a great director.Kira Muratova has never been given her due in the Soviet and post-Soviet Russia.In the Long Good Bye she depicts a seemingly banal story of a jealous and possessive mother (brilliantly acted by Zinaida Sharko) and her poor aloof and lonely son (the only cinematic role by the talented O. Vladimirsky). The story - which is nothing extraordinary in itself - grows into the wonderful and frightening analysis of alienation between genders and generations on the background of the even more frighteningly bleak and dehumanized Soviet reality.Kira Muratova shows the tiny details of everyday Soviet life,and, again , banal as they are ,they are a hair-raising horror.The dialogue is deliberately laconic and void of any sense, showing the ever-growing people's inability to communicate and understand each other.The sound track ( by another under-estimated talent, Oleg Karavaichuk)adds to the atmosphere of hopeless and meaningless existence.Of course,Sasha (the name of the protagonist),will leave his despotic ( but loving!) mother sooner or later, but where for (c) -
我们的绝望
2836安德(Ender)与塞丁(Cetin)两位年近四十的中年人是从小一起长大的好友。在分别多年之后,塞丁回到安卡拉,与安德重逢的同时也想起他们孩童时的梦想,于是这两位好友住到了一起。安德与塞丁的好友费克雷(Fikret)一直住在国外,这次回土耳其度假却突遭横祸,他的父母都在车祸中死去。费克雷将自己的妹妹尼哈尔(Nihal)交付两位好友照顾,她将和他们住在一起,直到大学毕业。尼哈尔的到来打乱了安德与塞丁过“两人世界”的想法,她也一直无法从父母去世的阴影中恢复过来。在安德与塞丁两人无微不至的照顾下,原先沉默寡言的尼哈尔最终开朗起来,但随之而来确有另外一个麻烦——一直像父母一般照顾尼哈尔的安德与塞丁同时爱上了这个女孩。