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暗黑破坏神极限竞速
2863未知影的主角是一个名叫库巴的小男孩,由于姐姐病重,他决定参加非法的赛车比赛以迅速赚钱。在途中,他不仅遇到许多困难,而且遇到了一个女孩伊娃(Ewa),与他一起不仅会受到赛车运动的热爱。 -
回魂追忆Gatham
1706未知A young couple on a road trip find their car stalled in the middle of a snowy forest. A person offers to help and situation soon turns for the worse and things start getting weird and spiral out of control. -
残酷2018
1839未知Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. Brutal takes an interesting approach to its visuals, drawing heavy influence from Western Grindhouse films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the Grindhouse genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most Grindhouse productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of Brutal is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, Brutal poses a fun and entertaining challenge in that regard. -
范妮·莱的解救
533Shooting has wrapped on Fanny Lye Deliver’d, a period drama starring Maxine Peake (The Theory of Everything), Charles Dance (Game of Thrones) and Freddie Fox (The Riot Club). The cast also includes Tanya Reynolds in her first feature film role and Peter McDonald (The Stag). Shot over ten weeks on location in Shropshire, England, the film is written and directed by Thomas Clay and produced by Zorana Piggott (Couple In A Hole), Rob Cannan (The Lovers and the Despot) and Philippe Bober. The late Joseph Lang, Clay’s long-time producer, receives a posthumous producing credit. Set in 1657 on an isolated farm in Shropshire, the story follows Fanny Lye (Peake) as she learns to transcend her oppressive marriage and discovers a new world of possibility. Living a life of puritan stricture with husband John Lye (Dance) and young son Arthur, Fanny Lye’s world is shaken by the unexpected arrival of two strangers in need - a young couple (Fox, Reynolds) closely pursued by a ruthless sheriff (McDonald) and his deputy. Fanny Lye Deliver’d is a unique and compelling historical drama, closer in spirit to a western, or a modern thriller, than a traditional English period piece, said producer Piggott. First and foremost it is a gripping story, a simple, exciting narrative brought to life with incredibly powerful and compelling performances and Thomas’ unique vision. It marks Clay’s third feature film. His debut, The Great Ecstasy of Robert Carmichael, screened at Cannes’ Critics’ Week in 2005 while his follow-up, Soi Cowboy, shot on location in Thailand, premiered at Cannes in Un Certain Regard in 2008. A Pull Back Camera production in co-production with Essential Filmproduktion (Germany), Fanny Lye Deliver’d is funded by the BFI, Creative England and the West Midlands Production Fund with support from Filmstiftung NRW, Medienboard Berlin Brandenburg and ZDF. Coproduction Office is handling world sales. -
罗密
386罗密·施奈德作为世界影迷心目中的永恒经典,在当时的德国却备受争议。与之前玛琳·黛德丽等人被迫离开纳粹德国不同,向往好莱坞和法国的施奈德被当作一名叛徒。直到去世二十多年后,她才在这里作为不仅是茜茜公主而且是伟大的女演员得到认同。而本片正是这么多年来第一部关于罗密·施奈德的正式传记片......(本文来自DVD) ◎ 关于本片: 柏林当地时间27日晚,由德国Berliner Phenix制片公司同德、奥四家电视台联合制作的传记影片《罗密》(Romy)举行了盛大的首映礼,主创包括扮演罗密·施奈德的德国影后洁西卡·史瓦兹,以及被挑中出演阿兰·德龙的法国新人吉约姆·德罗姆亮相红毯。 罗密·施奈德作为世界影迷心目中的永恒经典,在当时的德国却备受争议。与之前玛琳·黛德丽等人被迫离开纳粹德国不同,向往好莱坞和法国的施奈德被当做一名叛徒。直到去世二十多年后,她才在... -
太座与我
2944未知一對婚姻瀕臨破裂的夫妻,在牧師的建議之下而禱告,隔天起來竟發現兩人互換身體。這究竟是奇蹟還是詛咒?誰能回答?因為無法回到自己的身體,他們只好先假扮對方,或許被迫從對方的眼光來看事情之後,能找出挽救婚姻的方法? -
露水
2914《露水》是导演海尔·格里玛的大胆创新,他把自己祖国的坎坷发展史通过一个回到故乡的流浪者表现了出来。影片跨越三个历史阶段,成本并不高,不过构思非常独到,很值得一看。往往电影节和艺术院线会更加青睐这类电影。它明里讲一个乌托邦的故事,但暗中步步紧扣非洲大陆坎坷的现代发展史。 《露水》中,最令人动容的一刻就是历尽劫难的男主角安伯特回到家乡,和欣喜若狂的老母亲紧紧拥抱。然而,接下来的情节便不那么愉快了。从安伯特的眼里,观众看到当地政府军在镇上横冲直撞,虏走十几岁的男孩当新兵。很多当地人因而逃到了附近的深山洞穴中生活。安伯特管这个洞穴叫乌托邦国——在战争永无休止的年代中,父母们把孩子都藏在这里。 乡村生活如常进行。安伯特整天心不在焉,他失去了一条腿,但说不清是怎么回事;更糟的是,他似乎渐渐要变成一具没有灵魂的躯壳。他经常弄不清楚过去和现在,以为自己还生活在过...