讲述一个司机将一个女孩从她有暴力倾向的男朋友那里解救出来，却意外发现她是人口贩卖受害者，最后为了营救女孩，他不得不放弃自己最重要的东西的故事。

一个男孩因为向父母讨要零花钱失败，去当了自己的手表，却换回一张500元法郎的假钞。之后，这张假钞在很多人之间转手，最后落到了一个叫伊文（克里斯琴·佩蒂 Christian Patey 饰）的年轻人手中。伊文试着去餐馆花掉这张假钞，但被服务员发现了。警察认为他参与了假钞贩卖案而逮捕了他，但法官念他初犯，没有给他判刑。伊文释放之后，丢了工作。没有了钱，他只好和朋友去银行抢劫，却又一次栽在警察手里，被抓进监狱，被判刑三年…… 本片是布列松的最后一部作品，改编自托尔斯泰的短篇小说《伪息券》，曾获第36届戛纳电影节主竞赛单元最佳导演奖。

白人女教師艾美居住在充斥著犯罪案件的社區，非法槍枝大量在市面上流通，警方緩慢的破案速度也讓居民人心惶惶。多數黑人居住的貝克斯村被視為極具危險之地，前科犯德克斯特歷經黑暗的過往後，決定洗心革面，挺身而出整頓社區的治安；儘管家人始終灌輸著「白人至上」的理念，艾美仍不顧父母反對，自願為社區奉獻自身力量。膚色和地位皆截然不同的兩人，是否能攜手為社區帶來光明的希望？

一个隐居者，他在森林中简朴的房子里过着自给自足的生活。在一次散步中，他发现一个半裸的年轻人，他向他提供衣服、食物和住所。当警察上门，才得知这个神秘的年轻人竟然犯了谋杀罪，他们无言的友谊受到了考验。隐士面临着一个道德困境，他应该帮助他还是告发他？

　　Elie, a young woman from the city, has come to a remote North Atlantic island. Its the spring thaw, and she is here to convalesce and get to know the community. The annual seal hunt is in full swing, and Elie feels both drawn to and repelled by the men engaged in it. In this isolated world, peoples lives and deaths are shaped by the brute forces of nature. Elies presence arouses curiosity and mistrust. Maria, the village matriarch and den mother, seeks to uncover the secret reason behing Elies visit. Wolves explores the profound need for belonging.

康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。 Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.

《街童》是巴西著名导演赫克托.巴本科第一部获得国际声誉的经典影片，是80年代巴西最好的电影之一，1982年金球奖最佳外语片提名等众多国际性电影大奖。

Followstwoestrangedsiblingsastheyreturnhometothesprawlingranchtheyonceknewandloved.

The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.　　The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.　　Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens.　　The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.　　It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.　　Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.　　Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.　　This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

　　一部关于侦探现实世界的戏剧作品，讲述了想要探究真相的人和想要隐瞒事实的人之间的对抗。

身为保险公司调查员的麦斯，因为找寻失踪的客户，而意外发现一间隐密在深山的旅馆，专门以服务享受各种自杀幻想的顾客群为主。而当他化名混入旅馆进行调查之后，才发现这间旅馆的经营另有蹊跷，唯一能离开的方式，只有真正的死亡……

35岁的儿童读物插画家朱丽叶回到家乡与她所爱的人度过了两周的时光：一位神志不清的父亲；一个姐姐，她有更好的事情要担心，她的孩子、她的工作、她乏味的丈夫和她的情人；缺席的母亲和失去理智的祖母。埋藏的记忆、不言而喻的真相和家庭秘密浮出水面……

邦雅曼是一名博士生，由于没拿到奖学金，他在一所中学找到了一份代课老师的工作。面对问题百出的学校，没接受过培训又毫无经验的邦雅曼体会到了这份工作的不易。后来他结识了一群团结且敬业的同事，并在共事过程中逐渐领悟到了这份工作的深刻内涵。

个性害羞的巴黎单身汉，发现一首20 年代的古老神曲，歌谱有着神奇的魔力，若两人同时聆听歌谱旋律，便可坠入爱河。他偶遇一见钟情的女子，不惜一切代价，甚至为了找歌原主曲的歌谱，一路追到纽约。

<h1 style="white-space: normal; margin: 0px; padding: 0px 0px 15px; f>刹那的光辉 I Used to be Famous是由 <span class="attrs" style="color: rgb(17, 17, 17); f>艾德·斯克林</a> / 欧文·马肯</a> / 洛琳·艾什本</a> / 埃莉诺·松浦</a> / 内尔·斯杜克</a> / Jamie Wannell</a> / Stanley Morgan</a> / 库尔特·埃贾万</a> / Richard Sutar</a> / Leo Long</a> / Rachel Kwok</a> / Jennifer Joseph</a> / Zara Flynn</a> / Jack Minton</a> / Alex Cowgill</a> / Gsus Lopez</a> / Zena Rowe</a> / Jyo Miarkali</a> / Cain Aiden</a>主演的</span></h1><p><br/></p>

麦迪·麦肯齐是一位勤奋的主持人，她的干劲和才华使她成为一位受欢迎的电台主持人。John Reed是一位无忧无虑的科技企业家，他对举办派对更感兴趣。这两者截然不同。

小恶魔"彼特·丁拉基将出演一部动作惊悚片《The Thicket》，并在其中饰演一位身手不凡同时狡猾无比的赏金猎人。《七宗罪》和《斯巴达三百勇士》的制片吉安尼·努纳利将负责此片制片工作。影片改编自乔·兰斯代尔的小说，故事背景设置在20世纪初，一位年轻的小伙子为了解救被暴力杀人狂所绑架的妹妹而四处奔走，最后找到一位名叫“Shorty”的狡猾赏金猎人，一名盗墓为生的酒鬼和一个深谙处世之道的妓女来帮助他寻找妹妹。彼特·丁拉基将饰演那位赏金猎人，对此吉安尼·努纳利表示：“丁拉基天才般的演技能把乔原著中的阴暗视角还原得非常生动，他来饰演Shorty这一角色，是圆了我的梦！”

Filmed under the Georgia Production Program, the film stars White as Jaxen, a former cop turned private detective living in Atlanta. When famed R&B singer Jahari goes missing, Jaxen is hired to find and save her. As he investigates, he realizes her disappearance is tied to a much larger conspiracy of lies and deceit, which makes him question everyone around him and confront his...

Ruby是个正在读医科大学的年轻少妇，满怀梦想的她却遭遇不幸：他的丈夫被捕入狱被判8年徒刑。从此Ruby的人生轨迹也随之彻底改变……