更大，更好，甚至更布鲁斯。Vinnie和他的伙伴们将回归天空电视台的另一季原创喜剧。无论是偷马、借蜂箱、骗蛇还是盗用婚礼，对于游手好废的维尼(乔·吉尔根饰)和他的杂耍团伙来说，没有什么交易是太狡猾的。

　　尼克（鲍比•坎波 Bobby Campo 饰）携女友洛丽（珊特尔•范圣藤 Shantel VanSanten 饰）和朋友亨特（尼克•扎诺 Nick Zano 饰）及女友简妮（海莉•魏波）到赛车场观看赛车表演，尼克突然预见某辆赛车将发生事故冲向人群，部分看台坍塌，他与朋友全部丧生。惊慌失措的尼克强迫朋友随他离开赛场，并惊动了保安乔治（麦凯尔泰•威廉逊 Mykelti Williamson）及其他四位观众。逃过死神的尼克发现幸存者们纷纷在稀奇古怪的事故中丧命，而自己竟能预见死亡原因。恐惧中尼克和洛丽求助于

　　A woman falls in love with a man who is somewhat unavailable.

英国BBC台出品的最新短剧《Fanny Hill》根据John Cleland同名经典小说Fanny Hill改编的两段式单本剧。故事伊始，Fanny只是一个穷困的乡下女孩， 迫于生计离开家乡来到了城市，并很快沦落于烟花流巷。但在她彻底踏上这条不归路之前，她曾与一位叫C harles的青年陷入热恋，无奈Charles被他父亲送往他乡，Fanny只得独自留下，并为了生存而开始寻找更加富有、更有势力的依附者。与传统小说中的prostitution不同，尽管Fanny知道自己是在被人利用，但却并不以为耻，反倒貌似enjoy这种腐败生活。John Cleland于1748年创作的Fanny Hill被认为是英国文学史上第一部真正意义的情色小说作品，作品最初发表时并未受到太多质疑，或者说是未受到太多人关注。但在次年John和他的出版商便因有伤风化而被捕入狱，这也无疑为这部冷门小说烧上了一把火，一时间盗版横行，还特别加入了同性情节的描写。直到19世纪该书传至美国，但仍在社会上遭禁，还只能在地下流传。1963年，有出版社以John Cleland's Memoirs of a Woman of Pleasure之名再版，但很快再次被禁，不过这次出版社没将禁令奉若神旨，而是将其告上法庭，并最终取得了胜利，也才使得这个故事终于重见天日。</p>

New friends Erin and Alex discover a mutual attraction that neither of them have ever felt before. While Alex tries to navigate her feelings, Erin refuses to acknowledge that she might be gay and heads down a path of self-destruction. Faced with Erins denial, Alex must decide whether to follow her own path, or fight for the first person shes ever loved.

Amazon及BBC宣布联手制作英国喜剧《罪犯们TheOffenders》,该剧由《办公室TheOffice》主创StephenMerchant及《玛雅摩托帮MayansM.C.》主创ElginJames负责。这部每集1小时的6集剧讲述七名来自各处﹑性格各异的陌生人被迫在Bristol完成社会服务令,当他们意外成为朋友后,这个新团体得保护其中一名成员免受当地一支最危险的黑帮袭击。

在著名的阿若瓦比女校,遭到排斥和霸凌的女生策划了一系列危险的报复计划来回击霸凌者。

　With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.　　Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.　　In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.　　Kate Daughton, outgoing Head of Comedy at the BBC, says: Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.　　Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).　　Shane Allen, Director of BBC Comedy, says: Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.　　Charlotte Moore, Chief Content Officer, says: Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.

　圣诞假期，米可莱穿着人偶装在月台上分发传单，突然对一名美女观光客一见钟情，情不自禁跟着她上了火车之后，却遇到一丝不苟的列车长诺瓦正在验票，没钱补票的 米可莱于是上演你追我跑的戏码，过程之中不慎打昏了火车长，当他穿上诺瓦的外套，却被乘客误以为是火车长，强拉去处理各式各样的 紧急事故：走失小孩的家长，坐错位置的乘客，挡住走道的路霸，想坐霸王车的恶霸，还要安慰因为失恋而哭得死去活来的火车女服务生。?　　搭火车旅行真的好吃惊，最后的高潮来到火车突然紧急刹车，意外停退，冒牌列车长要如何安抚一整列车的乘客们呢？更重要的是米可莱会在火车上找到他的 真爱吗？

这是一次野外的冒险。12岁的伊丽莎到非洲旅行，在这里她遇到一个神秘的巫师赋予她跟动物交谈的奇异力量。但有一个条件，她不能向别人泄露这个秘密，否则她将永远失去这种能力。一天，伊丽莎发现偷猎者打算捕杀象群，并用电网把它们隔离开，伊丽莎跟她的宠物非洲猩猩决心阻止他们拯救大象。

克里斯汀（Tuesday Knight 饰）在和弗莱迪（罗伯特·英格兰德 Robert Englund 饰）的缠斗结束后不久，后者狰狞的形象就再次拜访了她的梦境。克里斯汀向曾一同在医院治疗的伙伴金凯和托伊吐露了弗莱迪归来的消息，然而两个男孩认为弗莱迪已死，等待他们的不过是平静的青春期生活。弗莱迪很快再度发威，将金凯和托伊杀死在梦中，克里斯汀失去了一同战斗的朋友，几近绝望，幸好有认为梦是解脱现实压抑良方的好友爱丽丝（Lisa Wilcox 饰）出现，克里斯汀在梦中被弗莱迪加害之时向爱丽丝求助，将后者拉入了自己的梦境，也使其卷入了弗莱迪的疯狂杀戮。克里斯汀终于被杀，而爱丽丝，决定为朋友报仇……

房屋整理达人可莉·席尔和乔安娜·泰普林来到明星家中，整理一个个杂乱的房间，改变一个个无序的生活。

公元2010年，彗星贝勒塔7号撞击地球，49亿人口在灾难中丧生，世界被冰雪覆盖。人们把未来托付给勇敢的特种部队，他们经历过极寒地区的长途跋涉，终于抵达柏林，他们能拯救世界吗……

老间谍肯迪格（Walter Matthau饰）对于新来的中情局上司不满，也厌倦了间谍生活，于是决定离开那个鬼地方。因要撰书揭露中情局的黑暗，为免后顾之忧，又制造了自己坠机身亡的“事实”。最后他所出的书在全球大卖，从此携美周游世界过着快乐逍遥的生活。

《拈花惹草》由两个故事构成，第一个故事讲了一个黑帮老大怎么灯红酒绿、拈花惹草，却被小弟施以美人计诈取钱财，后来老大炸死了小弟一伙，又被绳之以法。 第二个故事比较有意思，讲了住在烟花柳巷的一个收古董的中年人，因为怕老婆红杏出墙或是豺狼进窝，每次出门便把老婆深锁闺中。

瓦莱里娅17岁，怀孕了。她和她同父异母的妹妹克拉拉住在瓦拉塔港。瓦莱里娅不想让她长期缺席的母亲四月知道她怀孕的情况，但由于经济压力和在家里生孩子的巨大责任，克拉拉决定给母亲打电话。艾波莉来了，愿意和她的女儿在一起。

这是一部以汽车，女人和爱情为主题的轻喜剧。这也是一部关于如何挑战、欺骗和屈从命运的电影。史蒂芬幼年遭到好色父亲的遗弃，姐姐爱尔嘉面试频频受挫。人小鬼大的史蒂芬，想方设法接近父亲，又竭力保持镇定自若。

自大萧条（20世纪30年代）时起，某小镇就存在一个埋藏死人的地下室，传说中里面藏有价值连城的珠宝。无数盗贼觊觎这块肥肉，然而地下室内危机重重，很多人有去无回。最终，地下室于70年代彻底关闭。 　　青年佩里（麦克莱昂纳多 Mike Ranallo 饰）从监狱释出，和专事偷盗的多莉安（克里斯蒂安艾伦 Cristen Irene 饰）、PJ（Sarah Oh 饰）、吉娜（Abra May 饰）、亚德里安娜（乔安娜科 Joanna Ke 饰）、莫根（Delaina Stevens 饰）一伙女子再次重逢。苦于没有收入，吉娜提议偷盗那间地下室的宝藏。经过慎重考虑，众人决定闯入这个充满机关和玄幻的地带。起初一切都很顺利，但是他们的好运气终有用完的时候，来自死亡世界的恶灵势要将这群胆大妄为的年轻人留在这里……

Sky One宣布续订《#穷友记# Brassic》第二季。

The Future of Work and Death is a documentary concerning the growth of exponential technology and where it is taking us. The film focuses on how future technology could significantly change the two inevitable features of the human experience; punching the clock and fading away. It explores how advanced automation, AI and technological singularity could be achievable in the next 30 years. How job obsolescence and technological unemployment could consequently occur and how digital immortality may not be a thing of science fiction. But what are the socio-political repercussions of these innovations and are we ready for them? Does working less mean living more and is ending ageing incumbent on us? Worldwide experts in the fields of futurology, anthropology, neuroscience and philosophy share their thoughts on these future advancements.