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押注事实
365Wavve新原创《Bet on Fact》是一场新闻游戏真人秀,讲述了生活在假新闻充斥时代的8名出演者生活在与外界隔绝的空间里,掩盖新闻真相。聚集在一个空间的参与者们为了获得最终的冠军,将展开激烈的讨论和战略合作,包括为辨别假新闻和真新闻而展开的头脑斗争在内,在争论中特别组合开展的智力游戏将带来与众不同的乐趣和强烈的投入感。 出演阵容包括‘生存GOAT’张东民,政治评论家陈重权教授、时事Youtuber郑永镇和hell mouth、喜剧演员李龙真、歌手兼演员艺媛、在《思想验证区:The社区》中代号白熊活跃的共同民主党所属前最高委员朴成珉、国民力量前发言人兼律师姜爱等在不同领域活动,持有不同观点和见解的8人将从讨论开始,动员全部分析、推理能力,散发“能力值满级”的面貌,打造节目的核心趣味。 -
植物学家
828影片讲述中国新疆北部边境的山谷村庄里,孤独的哈萨克族男孩与植物为伴,他在追寻逝去的时光中,逐渐隐入植物世界的梦幻寓言。 -
乡村有恋
835安娜,一个在舒适环境中长大的城市女孩,竟然惹怒了她的父亲。为了让她学会谦逊并欣赏简单的生活,安娜被“流放”到乡下,暂时和她的祖母住在一起。对安娜来说,乡村生活是一场噩梦:高跟鞋陷进泥里,互联网不太方便,而且人们都很奇怪。 -
沙漠战士
9777th century Arabia. A time of feuding tribes vying for power and supremacy. Courageous Princess Hind (Aiysha Hart) refuses to serve as concubine to the merciless Sassanid Emperor Kisra (Sir Ben Kingsley). Escaping with her father King Numan into the vast and unforgiving desert, Hind is pursued by Kisra’s mercenary and his bloodthirsty troops. Father and daughter are forced to trust a mysterious bandit (Anthony Mackie). Against all odds, Hind unites the fractious tribes against the powerful invading military of the Sassanid Empire. In an epic showdown, the Battle of Ze Qar will forever change the Arabian Peninsula and echo throughout history. -
我的朝圣之路
227In 2013, an Australian man a few months shy of turning 60 decided to walk the Camino de Santiago – an 800km pilgrimage trail across the top of Spain. He had no known religion, and absolutely no idea why he felt so deeply compelled to do this torturous walk. But compelled, he was. He completed the walk, battling a “triumvirate of pain” - a knee that he later discovered lacked any meaningful cartilage, a blister the sight of which would make a grown man weep, and shin-soreness that felt like his lower limb had been split with a mountain axe wielded by a demented troll. Arriving at the end of the Camino, the majestic cathedral in Santiago de Compostela, he expected an epiphany – an answer to the question he’d been asking himself every day: Why am I doing this? But no answer came. So when he got home he wrote a book, hoping the answer would reveal itself in his scribblings. The result was The Way, My Way, a humourous and self-deprecating book that many consider the best memoir ever written on walking the Camino. The book has now been made into a film, and it’s an extraordinary account of a man at a pivotal point in his life, searching for meaning and finding himself undergoing a fundamental transformation so profound that he now divides his life into “Before the Camino” and “After the Camino.” It’s a story particular to one man, yet of appeal to anyone seeking a greater meaning from life. -
顿巴斯的养蜂人
691Фільм розповідатиме про двох «ворогів дитинства», останніх мешканців невеликого села, які лишилися жити в «сірій зоні» поблизу лінії фронту. «Мало зважаючи на воєнні події, вони намагаються створити своє мирне життя в небезпечній місцині, але все руйнується, коли в селі з’являється російський снайпер», -
葬礼的节拍
1001The film is inspired by the true-to-life story of the discovery of the long-lost “Opus 28” manuscript from Norwegian composer Johan Halvorsen, originally performed in 1909 by Canadian violinist Kathleen Parlow, to whom the piece was dedicated. Campbell portrays a student who seeks to complete her thesis on Parlow by organizing a public performance of “Opus 28” from Toronto to Oslo. The cast includes Dueñas, Melanie Scheiner, Eve Duranceau, Maxim Gaudette, Rosa-Johan Uddoh, and Eileen Davies. -
异端
682Didier Konings’ simmering mediaeval horror Witte Wieven explores the confluence of religion and patriarchy in an excessively puritanical Dutch village. Blamed by her community for being childless, Frieda immerses herself in prayer and ritual. When she returns unscathed from the forbidden forest surrounding the village, having evaded a lecherous butcher, she is condemned as an agent of the devil. Frieda, however, finds new faith in the dark powers that inhabit the woods. Shot in a reduced colour palette at the edge of visibility, Konings’ gripping film constructs a convincing pre-modern society whose practices it elucidates with patience and attention. Although set in the Middle Ages, Witte Wieven displays an unmistakably contemporary spirit, crafting a feminist parable about women discovering new ways of understanding their lives and the world.