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英勇的民族
682In 1974, the Portuguese and their descendants fled Angola where nationalist groups gradually claimed their territory back. A tribal girl discovers love and death when her path crosses that of a Portuguese soldier. Then, a Portuguese squad is barracked inside a wall from which they will have to escape once the past comes out of the grave to claim its long-awaited justice. -
代号55
500在1991年的秋天,一群的克罗地亚士兵搭着一个简易的装甲车去巡逻,不久后他们遭遇到伏击,他们的车辆被敌人摧毁,他们被迫在附近的一所房屋躲藏起来。他们驻扎在那所房子里进行了24小时的战斗.......电影的故事情节是根据克罗地亚独立战争期间发生的真实事件。 -
机器肉鸡第四季
423Who's up for some tasty little nuggets of Emmy-nominated stop-motion sketch comedy Why...YOU are! For instance Dick Cheney Dons the Iron Man armor! Star Trek 2 gets boiled down into a two-minute opera! And tila Tequila's sexy secrets - like the one where she's a murderous android - are revealed! So get ready to watch a season's worth of insanity! -
机器肉鸡第三季
875Here we go again! Not only is it time for 20 fresh episodes of soul-pummelling, mind-blowing, award-winning stop-motion sketch comedy funnedlled from the colono of the ADULT SWIM late-night hypno-hellacious sock hop, it's also time for more words on the back of the DVD describing the contents within! Words words words words! in the industry, we call it ' Box copy' ! YEAH BABY - BOX COPY STRAIGHT UP YOUR ASS! -
机器肉鸡第二季
727It's back! Season two of ADULT SWIM high-octane hellspawn returns with 20 freshly hatched episodes! It's a brain-scrambling bonanza of pop culture-crushing sketch comedy, acted out by chunks of wire and plastic cunningly crafted frame by people and animals, then stop-motion animated frame by painstaking frame in the style of the old masters! COME PARTAKE IN A PUNK ROCK PUPPET POOL PARTY! -
东方男孩
2253《东方男孩》是关于东欧少年的巴黎街头故事。从波兰、俄罗斯、罗马尼亚等国家非法进入法国的少年被称为“东方男孩”。他们大多刚成年,最大不会超过25岁,每天在地铁站等公共场所逡巡游荡。有的会主动搭讪和提供性服务,但由此带来的后果往往难料。主人公丹尼尔(Olivier Rabo urdin 饰)是位事业有成的中年白领,他在巴黎北站广场邂逅站街的乌克兰男生马列克(Kirill Emelyanov 饰),情不自禁的被对方吸引。两人约定时间和费用后,丹尼尔在家等待马列克造访,不料却等来一个暴力构织的黑色陷阱...... 《东方男孩》导演罗宾·康皮洛是法国著名电影人,由他和劳伦·冈泰编剧的《墙壁之间》曾获2008年戛纳电影节金棕榈奖。《东方男孩》是罗宾·康皮洛第二部导演作品。电影以诗意的画面和稳静的剧情讲述一个男人与一个男孩从情欲纠缠到相濡以沫的特别故事,不但记录了... -
受害者:勿忘我
1862000年9月9日,Simsek的生活突然发生巨变 她的父亲Enver在纽伦堡连中8枪,身受重伤不治而死。警方怀疑这是一起黑帮犯罪,Enver做过毒品生意有犯罪背景。但在随后的6年里,七名土耳其人和一名希腊人在德国其他地方相继遇害,并以“烤肉谋杀案”登上报纸头条。尽管缺乏证据,警察仍然相信案件有黑社会背景。被视为犯罪嫌疑人的人员电话被窃听,公寓遭搜查,甚至接受无休止的审讯。后来有一天,Hauptkommissar Bronner来到Simsek的家,他质疑警方之前的假设,他认为所有迹象都表明,是激进的右翼分子所为,出于仇外心理。 然而Bronner的请求被拒绝,他的调查小组也在2008 年2月1日解散。许多年来Simsek的家庭尝试找出谋杀案凶手,但毫无进展。2011年11月11日她发现地下右翼恐怖组织NSU涉嫌谋杀案,贝亚特·切培(Beate Zschäpe)和已死亡的两名同犯乌韦·穆德勒斯(Uwe Mundlos)和乌韦·贝尔哈德(Uwe Böhnhardt)被起诉。 -
德拉克的回归
632与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970). -
忠实的朋友
1782契若夫是外科医生,拉宾是养畜专家,涅斯特拉托夫是建筑学院士、建筑事业管理局的领导,三个童年时代的好朋友如今都已成为著名的学者。契若夫和拉宾决定要实现他们童年时代的幻想,趁休假的日子到河上去旅行,他们好不容易才找到了高高在上、脱离群众的涅斯特拉托夫。当他们把他带到一张木筏上而不是豪华客轮的头等舱时,这位一向自高自大的院士大为惊奇。他们乘着搭有柳条栅子和舒适床铺的木筏沿着雅乌兹河旅行。影片作者在他们的旅途上安排了各种滑稽可笑的情境,使院士始终处于尴尬的、受教育的地位。当他自吹自擂的老毛病发作时,两位朋友像孩提时代—样,把他浸到河里灌水,直到奉承求饶为止。但他旧习难改……