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敌后大爆破
12151954年的英国电影《轰炸鲁尔水坝记》 (The Dam Busters),这部电影几乎以纪录片的形式记录了第二次世界大战中1943年5月16日晚上英国皇家空军执行的“惩戒行动”。This film, details the Allied efforts to target German dams during World War Two. In very methodical, but also enthusiastic fashion, they figured out what plane, what bomb, what angle, what altitude, etc., were necessary to inflict maximum damage to the dams, while minimizing losses to the planes. The answer they came up with, sounds absurd, but it worked: very large, cylindrical bombs rotating backwards at a high rate of speed, causing them, when dropped, to skip along the sureface of the water, right up to the base of the dam.要炸掉水坝,可不是容易的事情,电影详细介绍了炸弹设计者的设计过程,以及英国军方采纳这个计划的过程(因为乍听起来实在像是天方夜谭),这个片子看起来决不乏味,甚至是相当令人激动地。该片获第28届奥斯卡最佳效果奖提名及第9届英国电影学院最佳电影,最佳英国电影和最佳编剧3项提名。 -
本垒打
1867在Ben的家乡,多数受过良好教育的女性都离开那个小地方去大城市寻找幸福,这个事儿Ben觉得没所谓。但是他不明白为啥他的好朋友Mario以及Steffen却因为这个事儿特别不开心。Mario是个农场主,他因为自知长相平庸,于是努力做一个幽默的人以弥补外貌上的缺陷……Steffen是个专攻IT,但是目前处于失业状态,他害怕自己的女友Doreen也会离开自己去大城市,因而十分焦虑…… 在Ben的家乡,多数受过良好教育的女性都离开那个小地方去大城市寻找幸福,这个事儿Ben觉得没所谓。但是他不明白为啥他的好朋友Mario以及Steffen却因为这个事儿特别不开心。Mario是个农场主,他因为自知长相平庸,于是努力做一个幽默的人以弥补外貌上的缺陷……Steffen是个专攻IT,但是目前处于失业状态,他害怕自己的女友Doreen也会离开自己去大城市,因而十分焦虑…... -
没有和解
541The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands. -
火山
1760Hannesisanoldmanwhohasgrownapartfromhischildren.Recentlyretiredwhenhiswifegetsillhetriestoreconcilewiththemandtoatoneforhiscolddemeanorinthepast. -
相见恨早
932故事的开始是两个年轻男女在洛杉矶到纽约的航班上的偶遇。奥利弗(艾什顿·库奇饰)是一个刚刚从大学中毕业的小伙子,他聪明机敏,并且踌躇满志,对于自己的未来——事业成功以及寻找到真爱——有着周密的规划。艾米丽(阿曼达·皮特饰)则是一个个性张扬的女孩,她的自我意识非常的强烈,并且在她的生活中充斥着自相矛盾的观点和选择。虽然初次见面让两个人的心中都泛起了涟漪,但奥利弗和艾米丽都清楚的认识到,长久相处并不属于他们。虽然在短暂的相处之后,奥利弗和艾米丽又各自行走在自己的生活轨道上,但两个人在对方心中所留下的影子却长久的挥之不去。经过了初次见面时的怦然心动之后,年复一年,从一个城市到另一个城市,他们又多次的见面、然后就是分离。随着时间流逝,这对小冤家慢慢变成了无话不谈的好朋友。虽然他们能共同拥有激情,但是两人似乎总是阴差阳错地和爱情擦肩而过,最终总是会有充分的理由离开对方。可是,冥冥中仍然有一种说不清的力量一次又一次将他们两人聚在一起。他们一起聚餐,一起跳舞,一起笑出胸中的烦闷。他们互相倾诉,一起缠绵,在野外享受激情的夜晚……在七年之后,奥利弗终于意识到了其实艾米丽才是他真正寻找的女孩。于是,他带着新买的吉他,在艾米丽的门前唱了一曲Bon Jovi著名的歌曲《I'll be there for you》。经过了漫长的七年,有情人终于牵手。浪漫是什么?浪漫就是毁灭友情,建立爱情。 -
远方的小伙伴
2644在阿根廷一个小镇上,一个叫索尔的乐团被很多喜欢音乐的人追捧和热爱,帕托就是其中之一。帕托每天都会在孤儿院和孩子们在固定的时间守在电视机前看索尔乐团的电视表演。有时候帕托甚至希望自己就是乐团中的一员,想象自己参加乐团和孩子们在电视里表演。有人打算解散孤儿院,这个突如其来的噩耗让帕托开始担忧,为了孩子们和孤儿院的前景,帕托和朋友决定凭着自己的力量改变实际情况。在这个过程中,他们和索尔乐团也产生了微妙的关联,情况真的会好转吗? -
锦囊妙计
662Boozy, brassy Apple Annie, a beggar with a basket of apples, is as much as part of downtown New York as old Broadway itself. Bootlegger Dave the Dude is a sucker for her apples --- he thinks they bring him luck. But Dave and girlfriend Queenie Martin need a lot more than luck when it turns out that Annie is in a jam and only they can help Annie's daughter Louise, who has lived all her life in a Spanish convent, is coming to America with a Count and his son. The count's son wants to marry Louise, who thinks her mother is part of New York society. It's up to Dave and Queenie and their Runyonesque cronies to turn Annie into a lady and convince the Count and his son that they are hobnobbing with New York's elite.