一个书呆子暗恋一个学长有三年了，期间一直偷窥跟踪，你说我恋爱了。有人说我病得很重。戴西说我是同性恋。但我觉得我只是一个跟踪者。一个意外的巧合，让学长认识了他，但是这个秘密能够隐藏住吗，还有这个恋情能继续下去吗？

JamesJirayu在片中饰演一位校园中的花心大少，因对热爱国标舞的女主角一见钟情，而加入了学校的国标舞社团。他在社团追女的日中渐渐感受到国标舞的魅力，也赢得了美人的芳心。

尤哈（萨卡里·库斯曼嫩SakariKuosmanen饰）和玛利亚（卡蒂·奥廷宁KatiOutinen饰）是一对生活在幸福和平淡之中的老夫少妻，两人住在他们经营的农场里，离群索居不问世事。一天，一个名叫辛麦卡（安德烈·维尔姆斯AndréWilms饰）的男人来到了农场，他的车抛锚了。善良的尤哈邀请辛麦卡在农场过夜，哪知道就此为自己找了个麻烦。原来，辛麦卡是一个油嘴滑舌的花花公子，他花言巧语诱惑和哄骗了玛利亚，最终，玛利亚决定和辛麦卡私奔。然而，来到了大城市后，辛麦卡才露出了自己的真面目，他将玛利亚卖到了一家妓院里替自己工作。当尤哈得知了玛利亚的近况后，他决定向辛麦卡寻仇。©豆瓣

根据《亡者之谜》作者Sammon另一本小说?????????IsReal改编《厨艺大师》亚军的华大厨依然无法一步登天成为第一大厨。他每天都感觉好像少了什么东西,因此无法改进他的烹饪。然而,有一天他点了外卖,他万万没想到,自己缺的东西会在一个正常的送货员身上被发现,这个送货员隐藏着常人所不具备的非凡技能的能力。ChefUa,thesecondrunner-upofTheChefMaster,isstillnotabletostepuptobethenumberonechef.Hespendseverydayfeelingasthoughthereissomethingmissingandasaresult,isunabletoimprovehiscooking....

蒙面义警的杀戮使城市陷入混乱,只有一名反叛警察和他的新人拍档能阻止这场混乱。

改编自韩剧《需要浪漫3》

特曼的儿子拉维是一个高级会计师，才华横溢、英俊潇洒，安露是特曼儿子朋友的女儿，早已对特曼一见倾心，而他却与另一个女人丽达结婚，特曼手下的总管为了得到他的家产，与拉维心术不正的舅舅勾搭成奸，千方百计地拆散拉维夫妇，使他们之间误会重重。

周作為一名專門調查外遇現場的偵探，其最最不能違反的行為就是愛上所要調查的目標人物，可是這一次，他卻遇到了果汁，一位可愛純真的女孩，他被她所吸引，不由自主地愛上了目標人物。 果汁，單純可愛的少女，為了實現自己的夢想，誤以為那些有錢人能給她所有的一切，直到遇到周，她才發現夢想敵不過一份真摯的愛情。

Maharshi is an action film starring Mahesh Babu and Pooja Hegde in lead roles. Allari Naresh is qiwan.cc playing a key role in the film.

100 years ago, the sisters Yod and Yard were the wives of Phra Wanathep. Yard was a loyal servant to madam Kamlai, his main wife. But Khun Thep asked Yod to help him get her sister and he would reward her. So Yod knocked her out and Wanathep raped her. Later, Yod tricks Yard into giving poison to Kamlai, to get rid of her and get Yard in trouble, so she can read morehave Khun Thep all to herself. So Yard unintentionally kills Kamlai and her 2 daughters. All the servants find out that Yard killed Kamlai so they hung her. Yods mother finds out that she caused Yards death so she stabbed Yod and put a curse on her, if she was to cause her mother to cry a tear again, she will never be able to get reborn. Khun Thep was reborn as Witsanu, an award-winning biography director. Witsanu received work from a TV show called Lao Ruang Teuk Gao (Telling the story of old buildings). Pal is a young architect that hosts the show, and for this particular episode the story of Phra Wanathep’s home is being told. The home is located in the Nang Barb (Sin Woman) amphoe/district. During filming, the staff sees something strange. They dont know that the place is haunted by the ghosts of Yod and Yard. Kamlai was reborn as an actress and Yod wants to apologize for her sins. So Yod and Yard end up possessing Ruengrin and Wisa, causing absolute chaos for the team.

【泰国电影《 屁民报国 (?????????????? Last Heros) 》中字预告视频 】FILM GURU出品，众喜剧艺人联袂出演泰国电影《 屁民报国 (?????????????? Last Heros) 》即将于5月24日全国公映 ，m.ysgou.cc Film Rattapoom在片中友情出演。大敌当前，匹夫有责，就算是山野村夫也该拿起铁骑冲上前线杀敌卫国。

《高尔基的童年》1938年由马克·东斯科伊·申托蒂尼克执导。奥利的《高尔基的童年》一书讲述了生活在19世纪俄罗斯的12岁男孩阿列克谢·佩什科夫的故事，他后来被称为马克西姆·高尔基，可能是俄罗斯最著名的小说家和戏剧家。这部电影是1938年摄制的，是根据高尔基的作品改编的。

吉拉瓦（尤拉萨雅·斯帕邦德 Urassaya Sperbund 饰）的母亲再婚嫁给了一名百万富翁，而贪婪好色的继父常常会借机骚扰吉拉瓦，这让她感到十分痛苦，同时亦失去了对于男人的信任。长大后，吉拉瓦成为了万人瞩目的明星，但她的内心里却并不开心。一场车祸中，喝醉酒的吉拉瓦撞死了赛迪特（马克·普林 Mark Prin Suparat 饰）的未婚妻，赛迪特因此对吉拉瓦怀恨在心。吉拉瓦和一位名叫查亚的已婚男子走得很近，引起了查亚妻子皮亚克的怀疑，可实际上查亚和吉拉瓦之间完全是纯洁的友情。皮亚克找到了赛迪特，两人设下阴谋诡计，想要彻底毁掉吉拉瓦，可在此过程中，赛迪特却发现自己竟然爱上了吉拉瓦。

他，siumpoo，英俊潇洒的富二代，却为躲避仇家而沦为卖树的工人； 她，weao，精明能干的奋斗女，一直为了全家人的生计而辛勤工作着； 他们的相见，如火星撞地球，一发不可收拾，想看他们的故事吗？

男人牵着四只恶犬在街上行走，他每放走一只恶犬，就意味着世上有一无辜者受到戕害，当他放走最后一只恶犬之时，自己反而成为了最后的受害者。童年时代，男子迷恋收集昆虫，成年后，孤僻而沉默的他遇见了美丽的女子，女子对其一见倾心，然而，随着时间的流逝，女子的身上开始展现出了令男子感到毛骨悚然的变化。 饱受同学欺凌的少女家住武士初的坟墓之后，有关初的恐怖传说一直纠缠着少女，横行的鬼怪和彻骨的恐惧看似只是梦境，但却同现实发生了交集。少年的叔叔无故失踪，朋友告诉了他关于沼泽中存在怪兽的传说，接连出现的亡者让少年逐渐相信，传说并不仅仅只是一个传说。 五个意味深长的故事，用低沉婉转的旁白和光怪陆离的画面，揭露心底最深处的恐惧。

影片描写小伙子拉吉.沙尔玛(南比尔.卡普尔Ranbir Kapoor)从18岁到30岁的爱情经历。在他人生的不同阶段他遇到了三位姑娘：来自旁遮普小城的姑娘玛希(Minissha Lamba)，在孟买的来自城市兰契的模特拉希卡(碧帕莎.芭素Bipasha Basu)和从澳大利亚来的NRI出租车驾驶员加雅莉(迪皮卡.帕度柯妮Deepika Padukone)。影片是关于男孩面对一个另一个的爱情，最后找到自己的真爱的故事。

拿破仑与俄罗斯的动荡关系，包括1812年的灾难性入侵，成为两个贵族家庭错综复杂的个人生活的背景。

电影《我的母亲》改编自芬兰作家赫基希耶塔梅斯的同名小说。 　　本片背景系第二次世界大战初期。芬兰与俄国对战，约有70000儿童被送往中立国瑞典，等待和平后回国。故事中的小男童，因为被送到另一国家，演变出自己有两个妈妈、两个家，但又不知那个才是自己真正的家。然而自己拒绝接受新家庭，每天等待亲母的信。及后亲生母的另一段情、养母初时对自己的不接纳……直到养母对小男童的了解、照顾，男童对养母的感情亦视为亲母。无奈战争结束，男童需回芬兰，再次与妈妈分离…… 　　据芬兰史料记载，二次大战期间，曾有7万多名芬兰儿童被送往中立的邻国瑞典，以躲避战祸。战后，这些孩子大部分陆续回到芬兰，但有近1.5万留在了瑞典，继续同养父母生活在一起。 　　该片导演克劳斯哈罗表示，很长时间以来，他一直想拍一部讲述芬兰战时儿童移民故事的电影。 　　在第29届开罗国际电影节上，该片赢得最佳影片奖，哈罗...

　　A wealthy rais (a head of local administration in Tadzhikistan) builds his toilet right next to the house of a teacher in the village. The aromas of the toilet disturb the life of the teacher’s family; it is very upsetting for them. But the rais is also a new Tadzhik (new money) and ignores the complaints. Moreover, every time he visits the toilet, he shamelessly stares at the teacher’s young wife over the fence. However, the power of the rais is so great that nobody dares to oppose him. The teacher buys cheaply a home right in front of the rais’s house from an old man and decides to build a public toilet there. 　　It seems that the era of fairytales and legends has vanished and it is not possible to make film-parables. However, Jamshed Usmonov creates film-parables. In every one of his films there is a character telling a legend that turns the meaning of the film all around. In Flight of the Bee it is a tale about a bee, which saved the life of an army: 　　Once upon a time it was a custom to kill old people who reached a certain age. But one of the soldiers of Alexander the Great didn’t have the heart to kill his father. He hid him in his traveling trunk and carried it on his back during marches. The army came to a desert and the warriors started to die from thirst. Nobody knew how to find water. The father said to his son: Catch a bee, tie a white thread to its leg and follow it. It will take you to water. They found water and the army was saved. After that old people were spared because everybody recognized them as a source of wisdom. The village teacher tells this story to his students at the beginning of the film. 　　It is interesting to note how in the film Flight of the Bee different mentalities intermingled and co-existed. The teacher is typical of the Soviet intelligentsia: he writes books that nobody publishes; he looks for justice from the government that has never been fair to him. The surroundings of the village are still Soviet: the rais has Lenin’s portrait in his office; young people are idle and drunk as they always were during the Soviet era. The new capitalists, the new Tadzhiks in the village, do not wear designer jackets and do not talk on cell phones. The new money is presented in the character of the rais. It has almost a feudal quality; it is the power of a local lord. 　　Jamshed Usmonov has a unique talent to balance the funny and serious, the simple and complicated. He, like nobody else, senses this border, where a simple story turns into a parable and film characters stand out as archetypes of different periods set together in the gap of times. (kinokultura/GULNARA ABIKEEVA)