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无限自助餐厅
657First-time feature director and award-winning comedian Simon Glassman comes to Fantasia with the cosmic horror, BUFFET INFINITY! Picking from hundreds of hours of original, low-budget TV ads, Glassman tells the sinister tale of two restaurants battling it out in the town of Westridge County. Insurance ads, used car rivals, and plugs for a local religious scholar and recording artist, Langdon P. Hershey, all converge to tell the story of an expanding sinkhole, a cult, and an ever-growing restaurant that becomes unsettlingly sentient. -
玛夫卡:真实神话
816Mavka is a dangerous nymph of the forest lake that lure people into its depths for the mermaids to feed on their energy. When she meets Lukian, a biology whizz, Mavka falls in love disrupting the natural order. -
火葬
949医生曾严禁丹妮怀孕,她却意外诞下双胞胎,命运的转折让母子三人接连离世。在柬埔寨传统火葬仪式筹备期间,殡葬师与僧侣按习俗处理后事,却接连遭遇毛骨悚然的怪事。停尸间的异响、诵经时的异常干扰、遗体旁的诡异痕迹不断出现,亡者的怨念在火葬场蔓延,原本肃穆的超度仪式,逐渐沦为被恐惧吞噬的死亡现场。 -
顿巴斯的养蜂人
691Фільм розповідатиме про двох «ворогів дитинства», останніх мешканців невеликого села, які лишилися жити в «сірій зоні» поблизу лінії фронту. «Мало зважаючи на воєнні події, вони намагаються створити своє мирне життя в небезпечній місцині, але все руйнується, коли в селі з’являється російський снайпер», -
葬礼的节拍
1001The film is inspired by the true-to-life story of the discovery of the long-lost “Opus 28” manuscript from Norwegian composer Johan Halvorsen, originally performed in 1909 by Canadian violinist Kathleen Parlow, to whom the piece was dedicated. Campbell portrays a student who seeks to complete her thesis on Parlow by organizing a public performance of “Opus 28” from Toronto to Oslo. The cast includes Dueñas, Melanie Scheiner, Eve Duranceau, Maxim Gaudette, Rosa-Johan Uddoh, and Eileen Davies. -
异端
682Didier Konings’ simmering mediaeval horror Witte Wieven explores the confluence of religion and patriarchy in an excessively puritanical Dutch village. Blamed by her community for being childless, Frieda immerses herself in prayer and ritual. When she returns unscathed from the forbidden forest surrounding the village, having evaded a lecherous butcher, she is condemned as an agent of the devil. Frieda, however, finds new faith in the dark powers that inhabit the woods. Shot in a reduced colour palette at the edge of visibility, Konings’ gripping film constructs a convincing pre-modern society whose practices it elucidates with patience and attention. Although set in the Middle Ages, Witte Wieven displays an unmistakably contemporary spirit, crafting a feminist parable about women discovering new ways of understanding their lives and the world. -
马塞尔·帕尼奥尔的华丽人生
5821955年,60岁的马塞尔·帕尼奥尔被《ELLE》杂志总编辑邀请写专栏,讲述他的童年。帕尼奥尔想要抓住这个机会回归自己的艺术创作基础:写作。他意识到自己的记忆力在衰退,而且对他最近的两本剧作的反响感到深深的失望,开始怀疑自己继续钻研作品的能力。而此时,小马赛尔——年轻版的他自己如同魔法一般出现了。一老一小两个帕尼奥尔将一起检视他不凡的人生,重现他最珍视的际遇、回忆。影片聚焦一趟半个世纪中的横跨法国的旅程,从巴黎到帕尼奥尔的家乡普罗旺斯,聚焦构建起我们的现代社会的50年辉煌历史。