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岳飞传
616Six friends meet every evenings in a basement to make music. Rita left Ricardo, Rafael found her, but she still feels lost. Eduardo thought he no longer liked Maria, but after what he has done he cannot turn the clock back. Joao lacks the courage to break up with his girlfriend and takes refuge in the song he is writing for Ines. Marco struggles to get another young man's love, but he is under no illusions. Samuel believes in everlasting love but something is wrong because his friends haven't heard from him for sometime. Ines, attempting to feel safe, likes to experiment and is waiting to see how things go with Joao.There are no rehearsals for what life brings us. Each endeavour leaves its mark.The band is falling apart...</p> -
未知"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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芬妮希尔
1161英国BBC台出品的最新短剧《Fanny Hill》根据John Cleland同名经典小说Fanny Hill改编的两段式单本剧。故事伊始,Fanny只是一个穷困的乡下女孩, 迫于生计离开家乡来到了城市,并很快沦落于烟花流巷。但在她彻底踏上这条不归路之前,她曾与一位叫C harles的青年陷入热恋,无奈Charles被他父亲送往他乡,Fanny只得独自留下,并为了生存而开始寻找更加富有、更有势力的依附者。与传统小说中的prostitution不同,尽管Fanny知道自己是在被人利用,但却并不以为耻,反倒貌似enjoy这种腐败生活。John Cleland于1748年创作的Fanny Hill被认为是英国文学史上第一部真正意义的情色小说作品,作品最初发表时并未受到太多质疑,或者说是未受到太多人关注。但在次年John和他的出版商便因有伤风化而被捕入狱,这也无疑为这部冷门小说烧上了一把火,一时间盗版横行,还特别加入了同性情节的描写。直到19世纪该书传至美国,但仍在社会上遭禁,还只能在地下流传。1963年,有出版社以John Cleland's Memoirs of a Woman of Pleasure之名再版,但很快再次被禁,不过这次出版社没将禁令奉若神旨,而是将其告上法庭,并最终取得了胜利,也才使得这个故事终于重见天日。</p> -
寻寻觅觅
472未知New friends Erin and Alex discover a mutual attraction that neither of them have ever felt before. While Alex tries to navigate her feelings, Erin refuses to acknowledge that she might be gay and heads down a path of self-destruction. Faced with Erins denial, Alex must decide whether to follow her own path, or fight for the first person shes ever loved. -
搞上大明星
183未知With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women. Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life. In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led. Kate Daughton, outgoing Head of Comedy at the BBC, says: Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female. Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t). Shane Allen, Director of BBC Comedy, says: Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long. Charlotte Moore, Chief Content Officer, says: Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead. -
爱情列车长
30圣诞假期,米可莱穿着人偶装在月台上分发传单,突然对一名美女观光客一见钟情,情不自禁跟着她上了火车之后,却遇到一丝不苟的列车长诺瓦正在验票,没钱补票的 米可莱于是上演你追我跑的戏码,过程之中不慎打昏了火车长,当他穿上诺瓦的外套,却被乘客误以为是火车长,强拉去处理各式各样的 紧急事故:走失小孩的家长,坐错位置的乘客,挡住走道的路霸,想坐霸王车的恶霸,还要安慰因为失恋而哭得死去活来的火车女服务生。? 搭火车旅行真的好吃惊,最后的高潮来到火车突然紧急刹车,意外停退,冒牌列车长要如何安抚一整列车的乘客们呢?更重要的是米可莱会在火车上找到他的 真爱吗? -
X放射线
136有个惊吓过度的小女孩在沙漠游走,唯一吐出的只有一个字:怪物!任何50年代恐怖片迷都会马上告诉你,她所指的怪物就是巨蚁,那是在当地核子试爆后的副产品。这些巨蚁非常有组织,嗜肉且体型巨大,约有8到20呎,它们群聚在洛杉矶的下水道系统,彷若一个巨大的蚂蚁园区,准备好要接管这个世界。要和这些怪物对抗的人类精英是新墨西哥警署探员詹姆斯惠特摩,联邦调查局代表詹姆斯亚尼斯,和一对由埃德蒙关恩和乔安妮威尔登所饰的父女档昆虫学家。 -
猛鬼街4梦幻主宰
2398克里斯汀(Tuesday Knight 饰)在和弗莱迪(罗伯特·英格兰德 Robert Englund 饰)的缠斗结束后不久,后者狰狞的形象就再次拜访了她的梦境。克里斯汀向曾一同在医院治疗的伙伴金凯和托伊吐露了弗莱迪归来的消息,然而两个男孩认为弗莱迪已死,等待他们的不过是平静的青春期生活。弗莱迪很快再度发威,将金凯和托伊杀死在梦中,克里斯汀失去了一同战斗的朋友,几近绝望,幸好有认为梦是解脱现实压抑良方的好友爱丽丝(Lisa Wilcox 饰)出现,克里斯汀在梦中被弗莱迪加害之时向爱丽丝求助,将后者拉入了自己的梦境,也使其卷入了弗莱迪的疯狂杀戮。克里斯汀终于被杀,而爱丽丝,决定为朋友报仇…… -
流浪歌手
872Charlie Rogers是个桀骜不驯的酒吧驻唱歌手,因为出手教训出言不逊的客人被老板开除,骑着摩托车开始了流浪歌手的生涯。路上,他偶遇了雷厉风行的嘉年华老板Maggie和她的两个雇员——少女Cathy和她暴脾气的老爸Joe。Charlie对Cathy一见钟情,但Joe却不满他轻佻的态度,和Charlie冲突不断。Charlie在嘉年华谋了份差事,而因为他出色的表演,嘉年华一时间成为当地热门,游客络绎不绝。而和嘉年华员工相处的过程中,Charlie也从毛头小子走向成熟。有一次,两个故意刁难Cathy的客人丢了钱包,栽赃是Joe偷拿的,Joe含冤入狱。当天晚上,Charlie捡到了那个钱包,却因为没及时归还又被Cathy误会。Charlie只好选择离开嘉年华,投奔了他们的竞争对手。眼看着Maggie的嘉年华即将倒闭,Charlie该如何抉择?