Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.　　“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.　　The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

一对继姐弟/兄妹为了维持社交形象，不惜去做一切事情，包括勾引美国副总统的女儿。

该片讲述附身于少女的女鬼和不相信鬼的厨师的浪漫故事。朴宝英饰一个被淫荡女鬼附身的厨房助理，赵正锡饰演朴宝英暗恋的花美男厨师。郭时旸饰从法国归来的海归厨师。林周焕饰正直警察，朴贞雅饰电视台PD，《剩余公主》曾与南柱赫对戏的金瑟祺饰演附身于朴宝英的女鬼～接档《前女友俱乐部》7月播出。

一位摄影师被派去拍摄山上一朵罕见的花，发现了被困在非法伐木者藏匿的妓院中的妇女。现在，他必须竭尽全力拯救他们

一个努力寻找生活目标的人被一个醉酒的病人寡妇所启发

　　一心复仇的女子苦苦追查杀害丈夫的凶手，结果揭开了这个小镇隐藏最深也最邪恶的秘密。

A stately home robbery takes an evil turn one night when a gang of young thieves are caught by the owners of the house and then hunted across the estate for the proprietor's entertainment

女学生小曼一次回家探亲便一去不返，失踪被发现后已经诡异死亡。作为同窗好友和闺蜜的芊芊，引导老师和三位同学一行人，不远千里来到远遥村，采风留宿，实则寻找哑女小曼的死亡原因，并为此复仇讨还真相。作为戏班班主女儿的哑女小曼，为何怀抱木偶曝尸荒野？而死后灵魂又如何被封印木偶中，午夜作乱？是自杀，还是阴谋？真凶由谁来惩？芊芊孤身探秘，勇闯凶宅，只为还闺蜜一个公道。

该剧讲述了生物科技公司总裁吕游和天才田径运动员陆畔畔，因一场 “记忆寻回实验”而邂逅，逐渐相恋的甜蜜爱情故事。

一心复仇的女子苦苦追查杀害丈夫的凶手，结果揭开了这个小镇隐藏最深也最邪恶的秘密。

节目以初心不变的姿态和决心归零的意气继续锤炼发光的表演舞台，用升级的赛制和拔高的立意继续向外抛出大众好奇且亟待解决的行业问题，帮助不同年龄层和演技水平的演员在竞演中成长。

紧接上一季活埋老妖婆... 

影片《谎话》是一部犯罪题材的惊悚故事片，由JamieMarshall执导并编剧，丝柯·泰勒-考普顿、坦妮娅·雷蒙德、MarkL.Young主演该影片情节曲折，细节缜密。谁是有罪的，谁是无辜的，不能简单的靠表面现象猜测，因为谁都有可能说出谎言。导演相信观众的眼睛一定会被剧情所吸引，根据剧情的发展逐步找到那个真正有罪的人。

Left alone for the night in their new orchard farmhouse, three teenage sisters soon find themselves at the mercy of some unscrupulous townie boys. The tables are turned, however, when the malevolence that roams the orchard starts to hunt down the boys.

Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. Brutal takes an interesting approach to its visuals, drawing heavy influence from Western Grindhouse films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the Grindhouse genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most Grindhouse productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of Brutal is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, Brutal poses a fun and entertaining challenge in that regard.

　老妖婆回来了。。。

阿迪亚（阿克谢库玛尔 Akshay Kumar 饰）不仅长得帅气迷人吸引眼球，更是工作出色。作为汽车工程师的他业余爱好是开车，娴熟的车技让他成为公司试车员。终于他凭借忘我的工作换来老板的青睐，被升职派往加拿大的汽车公司调研。来加拿大新公司报道的第一天阿迪亚就在电梯偶遇了性感美丽的富家小姐伽尔（卡特莉娜卡芙 Katrina Kaif 饰），对其一见钟情。而上天仿佛感受到了阿迪亚对伽尔的念念不忘，所以安排了他在不同场合接二连三的碰到正在独自购置结婚物品的她。随着彼此在对方生活中出现的频率越来越高，一起吃饭，看比赛，一次又一次的谈心，甚至是相约参加赛车越野赛，让二人的感情由友谊延展到了爱情。然而越陷越深的爱情却被现实羁绊着，原来阿迪亚和伽尔都各自有着婚约。而此时伽尔更是误会阿迪亚是因为金钱才接近她！

融合动画与真人演出，描绘一个美国亚裔家庭的故事。八岁的提米跟十九岁的姊姊潘和妈妈住在加州小镇，潘对父亲的出走仍深感愤怒，母亲依然处于被丈夫遗弃的哀伤失落情绪中，早熟的提米藉由幻想，创造出超现实的迷幻世界，以躲避真实世界的压迫与忧虑。原片名引用物理术语‘半衰期’，指涉生命进行到中途，面对充满危机与变数的生存挑战，人们如何继续前行。导演细腻巧妙地刻划人们在迷惘愤怒中，想要脱逃又失败的欲望与焦虑。

这部歌舞电影个故事是描述三个分居不同地方的兄弟为了继承父亲的财产所发生的一连串事情。沙曼汗(Salman Khan)在剧中所饰演的是反派的角色，在剧中演员沙曼汗(Salman Khan)与卡特瑞娜-凯芙(Katrina Kaif)谈恋爱，但是为了得到女方父亲的认可与其父亲签订了要在40天内成为亿万富翁的协定。一个11-12岁的男孩被赶出门后，失意、忌妒，对整个世界感到愤怒他会怎么做? 女主角卡特瑞娜-凯芙(Katrina Kaif)扮演着一位天使的角色，在智障的兄弟眼中她是一个天使，她的帮助和支持让一个不经世事的人，在音乐方面找到了自己的灵魂。 歌舞剧中当然少不了动人的歌曲。这部电影的音乐由拉赫曼(A R Rahman)编曲、葛萨(Gulzar)填词。